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PANASONIC AG-DVX100 Professional MiniDV Camcorder

PANASONIC AG-DVX100 Professional MiniDV Camcorder

Manufacturer:Panasonic
Our price:

PANASONIC AG-DVX100 Professional MiniDV Camcorder

Average rating: Stars
Stars Great camera but...
Hello..

You've heard it all from the other reviews.

The cons:
- No autofocus in 24P... and that really sucks.
- No remote control for focusing either!!!
- Microphones do not sound good.. but that was expected. So get external microphone
- Don't expect to shoot during lowlight environment in 24P... it's just not made for it.
- Expect to buy a lot more stuff after this.
- The manual is really BAD. If you don't know how to use this camera, you have hours/days before understanding it all.

PANASONIC AG-DVX100 Professional MiniDV Camcorder - Panasonic
Stars Great camera, but be prepared to buy accessories
- Excellent picture quality
- Very nice large viewfinder
- Lense equivalent to 30-300mm gives excellent wide angle and zooming images.
- Can't beat the large LCD (can't see anything in the sun though)
- pretty stable manipulation in wide angle... but needs support on zoom.
- Auto white balance works great.

- Autofocus only in 60I. Manual only in 30P / 24P
- Bad on-camera microphone, it was expected.
- No info from panasonic on the 24P operation, read your FCP/Adobe manuals well to understand how it works.

Make sure to only use the 63min PQ panasonic tapes!!!
Of course you will have to buy a good microphone like the K6/M64/M66 or AT897.
I suggest you to get rain/dust slicker if you're going to shoot in the countryside/desert... you don't want dust/rain to get inside.
You also going to have to buy a DV deck or a cheap DV camera for playback not to wear the video heads....

Just be creative now.

Panasonic - PANASONIC AG-DVX100 Professional MiniDV Camcorder
Stars 16mm is dead.
The AG-DVX100 has killed 16mm motion picture camera systems and 16mm film stock except for the die-hard motion picture fans. The bottom line is - do not shoot 16mm or Super 16mm because this camera produces cine images that are better than 16mm and Super 16mm on DV, which means that it is also cheaper because you do not need to buy and process 16mm film stock. If you blow this video up to 35mm the image quality is still better than 16mm film formats.

However 35mm still rules... but the future for digital looks good.

Also the problems with this camera have been corrected in the AG-DVX100a version so you may want to hold back until you see that one on-line here. You would also do well to get the AG-LA7200G anamorphic lens so that you can shoot in scope with a squeezed digital image (Just like a real anamorphic lens!)!

Bottom line. This is a top of the range domestic camcorder with pro qualities. 16mm motion picture camera users should use this in their productions instead. It is a waaaaay cheaper and looks better. The cine-switch technology in this camera is based on the same system that Lucas used to film his New Star Wars movies with. Also the PAL version does not have 24 fps but this does not matter because PAL is 25 fps and the difference can not be noticed with the naked eye alone and transfer to film is easy with 25 fps PAL but not so easy with 30 fps NTSC so the NTSC version of this camera can also shoot 24 fps for that. Also this camera is loaded with functions. There is not a single thing you can do not with it but! and this is a big but! the NEW AG-DVX100a will address the negatives that the AG-DVX100 has (zoom problems and focus problems and other things). Keep an eye out for the AG-DVX100a although it may be $1000 more expensive than this one but should be no concern to those who had to shoot on expensive 16mm film equipment with expensive 16mm film stock and expensive 16mm processing and expensive 16mm to video transfers.

16mm is dead.

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